| REBECCA PECHEFSKY |
| With Owen Daly at the Boston Early Music Festival I enjoyed playing d'Agincour on Owen's beautiful double after Vaudry. |
| Wolfie under the Harpsichord Our adorable Yorkshire terrier, named after Mozart, enjoyed listening to me play my Italian harpsichord by Yves Beaupré. |
| PHOTO GALLERY |
| At Ron Haas's House in San Diego I also played d'Agincour on Ron's gorgeous Flemish double. Here my hands are chasing each other in the piece "Blind Man's Buff." |
| On d'Agincour's Street in Rouen D'Agincour lived on Rue des Chanoines, a little alley right across the way from the famous Rouen Cathedral, where he was the organist for most of his life. |
| Outside Weill Recital Hall, Carnegie Hall Yes, I played d'Agincour here, too, as well as the Fifth Brandenburg and the world premiere of my friend Frank J. Oteri's Is 5. |
| Two Harpsichords at the Morris-Jumel Mansion Here you can see the intimate octagonal music room at the 1765 Morris-Jumel Mansion, Manhattan's oldest house. At left, with Louis Bagger; at right, with Robert Heath. |
| Brooklyn Baroque at Good Shepherd Catholic Church in Brooklyn Here we are rehearsing before a concert with recorder player Gregory Bynum at one of our favorite venues. |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| Recording the Well-Tempered at Good Shepherd At left, my husband and producer Erik Ryding. At center, checking the temperament (Werckmeister III). At right, enjoying the ambiance (the lights make noise so we turn them off!) |
| My good friend Al Past took this picture of me playing on Gerald Self's magnificent French double. |
| In John Phillips's workshop, rehearsing on the incredibly gorgeous new French double after Blanchet that I was lucky to play on for a fringe concert at the Berkeley Festival. |